FORM AND FORMLESSNESS
COMPOSITION OF ANY DESIGN
A DESIGN BEGINS WITH THE IMMEASURABLE (PSYCHOLOGICAL FUNCTION), MOVES TO THE MEASUREABLE (PHYSICAL FUNCTION) AND FINALLY GOES BACK TO THE IMMEASURABLE ….LOUIS I KAHN
IMMEASURABLE AND MEASUREABLE
- IMMEASUREABLE –
- AIM AND OBJECTIVE – TO CREATE ATMOSPHERES (REFER SPACE, PLACE AND ATMOSPHERE, JUHANNI PALLASMA, THINKING ARCHITECTURE), SO AS TO FEEL DISCONNECTED FROM THE REAL WORLD AND CONNECTED TO THE CREATED ATMOSPHERE , BY CREATING MYSTERIOUS EXPERIENCE LARGER THAN LIFE, THERE HAS TO BE A CONSTANT DIALOGUE WITH THE FORM AND SPACE THAT ENGAGES YOU AND ELEVATES YOUR FEELINGS AND GIVES YOU A HEIGHTENED EXPERIENCE, THUS CREATING AN EXPRESSION.
- OBSERVING THE EXPERIENCES IN EVERYDAY LIFE THAT ONE LIKES AND DISLIKES AND UNDERSTANDING THE HIDDEN EMOTION BEHIND AND TRANSFORM THAT EMOTION INTO THE BUILT FORM
- TYPES OF ATMOSPHERES (REFER ERNO GOLDFINGER) – THE IDEA
- PLASTIC
- STRUCTURAL
- ARCHITECURAL
- AIM AND OBJECTIVE – TO CREATE ATMOSPHERES (REFER SPACE, PLACE AND ATMOSPHERE, JUHANNI PALLASMA, THINKING ARCHITECTURE), SO AS TO FEEL DISCONNECTED FROM THE REAL WORLD AND CONNECTED TO THE CREATED ATMOSPHERE , BY CREATING MYSTERIOUS EXPERIENCE LARGER THAN LIFE, THERE HAS TO BE A CONSTANT DIALOGUE WITH THE FORM AND SPACE THAT ENGAGES YOU AND ELEVATES YOUR FEELINGS AND GIVES YOU A HEIGHTENED EXPERIENCE, THUS CREATING AN EXPRESSION.
- MEASURABLES – RULES
- FORM LANGUAGE AND SPATIAL LANGUAGE – FORM AND…
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